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A stage filled with actors dressed in drag, dancing, talking and kissing.

Leonard Rosoman: Painting Theatre

A stage filled with actors dressed in drag, dancing, talking and kissing.

Leonard Rosoman, The Drag Ball, No. 2, 1967-8

Leonard Rosoman, The Drag Ball, No. 2, 1967-8 Courtesy of Roxanne Rosoman, Photography Dawkins Colour / John Bodkin © The Artist’s Estate

A crowded stage filled with actors in elaborate drag and other costumes. A purple curtain obscures the top half of the stage.

Leonard Rosoman, The Drag Ball, No. 1, 1967-8

Leonard Rosoman, The Drag Ball, No. 1, 1967-8, Acrylic on canvas, Courtesy of Roxanne Rosoman, Photography Dawkins Colour / John Bodkin © The Artist’s Estate

Painting by Leonard Rosoman depicting a man dressed in drag standing beneath a candelabra. The top of the painting is slightly obscured by a stage curtain

Leonard Rosoman, Portrait with Candelabra: George Devine as Baron von Epp, 1968

Leonard Rosoman, Portrait with Candelabra: George Devine as Baron von Epp, 1968, Acrylic on canvas, Accepted in lieu of Inheritance Tax by HM Government from the estate of Roxanne Rosoman and allocated to Pallant House, (2020) © The Artist’s Estate

Painting by Leonard Rosoman depicting a man in military uniform rising out of a chair to rest his arms on a table. At the ehad of the table sits a man also in military uniform and a monocle. Behind them a map of eastern Europe fades into a green background.

Leonard Rosoman, The Promotion No. 2, 1968

Leonard Rosoman, The Promotion No. 2, 1968, Collection of John Barber and John Nolan © The Artist’s Estate

Painting by Leonard Rosoman depicting a stage set with a man slumped in a chair next to another chair with a suit draped over it.

Leonard Rosoman, Maximilian Schell as Redl, 1968

With kind permission of Arvon © The Artist’s Estate