Art Quake: Post-Impressionism and British Art

A street scene at night, looking at a building on right, with a prominent window. Light shines through closed red curtains and a single figure stands by the window on the street.

Walter Sickert, Maple Street, London (c. 1915)

Oil on canvas, Pallant House Gallery, Chichester (On Loan from a Private Collection, 1995)

A garden path flanked with roses and trees.

Spencer Gore, The Garden Path, Garth House (c. 1910)

Spencer Gore, The Garden Path, Garth House (c. 1910), Oil on canvas, Pallant House Gallery, Chichester (Hussey Bequest, Chichester District Council, 1985)

A still life of a vase of roses behind a fruit bowl with three apples, white cloth in foreground on green tablecloth.

Samuel Peploe, Still Life of Roses and a bowl of apples on a green table cloth (1920s)

Oil on canvas, Pallant House Gallery, Chichester (on Loan from a Private Collection, 2012)

A town nestling below a hillside and two thin light green trees in foreground.

Roger Fry, Landscape in the South of France (n.d)

Gouache on buff paper, Pallant House Gallery, Chichester (Kearley Bequest, through The Art Fund, 1989)

A group of men prepare to bath together. One lies on the ground already naked with the other two strip.

Paul Cèzanne, Les Grands Baigneurs (The Large Bathers) (1898)

Paul Cèzanne, Les Grands Baigneurs (The Large Bathers), 1898, Lithograph on paper, Pallant House Gallery, Chichester (Kearley Bequest, through The Art Fund, 1989) © Pallant House Gallery, Chichester, UK